One of the joys (and responsibilities) of Darlington is that it has a number of buildings on the property. Four, to be specific. In addition to the brick and clapboard main house there are two wooden barns—one originally designed to hold a carriage, and the other for farm equipment and livestock. There is also a brick workhouse built for doing laundry and cooking in warmer weather. All the structures on the property date from the first decades of the nineteenth century and are original.
Since buying Darlington more than fifteen years ago we have done a lot of work to the buildings and grounds. Not only did we want to, Dear Reader, as we believe it is our responsibility to sensitively care for such treasures, but their deteriorating condition required it. As I wrote in my introductory post on Darlington, the condition of the house and property was one of benign neglect when we bought it. The previous owner, Mrs. Proctor, was in her late nineties at the time and had been living in what is euphemistically referred to as "a home" for several years. Darlington had sat empty for five (or more) years, used only occasionally by relatives when visiting the area.
During their ownership of Darlington, the Proctors, people of means who appreciated the historic significance of the house and property, took good care of it. However, by the time we bought it from them little had been done to the house or grounds since the 1970s, other than putting up an occasional coat of paint and regularly mowing the lawns. Darlington had become a sleeping, overgrown beauty, drifting into decay . . .
Our first priority was to focus on the main house, which required major and extensive restoration, and also a complete updating of all of its systems. As the urgency of those repairs subsided, we turned our sights to the other buildings on the property. Our next project was a ground-up restoration of the carriage barn, which we have repurposed as a gardening barn, filling it with tools and rakes and enough Guy Wolff clay pots to keep a nursery happy for years. We have also done a substantial amount of restoration to Darlington's work house and hope to have it completed later this year when the fellow who has done the work on it so far frees up from other commitments.
More recently we have turned our attention to what we call the "large barn" at Darlington. It was built in around 1840 as a working barn and originally held the property's farm machinery and equipment, along with the livestock that was used in managing the 165 acres that Darlington once encompassed. Today it is where we keep our cars, large clay pots in the winter, stacks of firewood, and our refuse and recycling containers. In other words, it functions as a large modern-day garage.
When we bought Darlington the large barn was packed to the rafters with seventy years' of the Procters' accumulated stuff (they were great pack rats) and infested with insect damage. A lean-to addition had been cobbled onto it in the 1940s, and the building's Greek Revival integrity had been further undignified by the addition of inappropriate windows and an ugly 1960s-era garage door. Although we quickly eliminated the lean-to, it took us until last year finally to bite the bullet and begin working on the barn in earnest. (When I write "we" here I must clarify that it is not Boy and I who are the ones actually doing the work to the barn. No, we are fortunate to have others who are skillfully doing it on our behalf under the careful supervision of Isaiah Cornini, the consultant we have been working with ever since we bought Darlington. Mr. Cornini advises us and designs and manages all of the restoration projects we do on the property.)
So why did we wait so long to tackle the large barn's restoration, you might ask, Dear Reader? There were several reasons. First, the financial crash of 2008 happened, which put the brakes on my interest in taking on such a large project, and second, it took us for ever to decide that we didn't need to do as thorough (and expensive) a restoration to the barn as we have done to the other buildings on the property. Rather, we decided that it was sufficient (and less financially punishing) to do a careful and thoughtful shoring up of the structure, replace its later, less-than-successful remuddlings, and update the building's systems for modern-day requirements. When we are finished we will have returned the barn to a close approximation of what it looked like when it was originally built almost 180 years ago.
Over the next several months I plan on posting about the barn's ongoing restoration and updating. I am confident that when the work is completed the barn will, once again, be the handsome and dignified structure it once was and was always meant to be.
Won't you please join me in my journey?
All photographs by Reggie Darling
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| The old gray barn last July, pre-restoration, festooned with forty-eight star flags in honor of Independence Day |
Since buying Darlington more than fifteen years ago we have done a lot of work to the buildings and grounds. Not only did we want to, Dear Reader, as we believe it is our responsibility to sensitively care for such treasures, but their deteriorating condition required it. As I wrote in my introductory post on Darlington, the condition of the house and property was one of benign neglect when we bought it. The previous owner, Mrs. Proctor, was in her late nineties at the time and had been living in what is euphemistically referred to as "a home" for several years. Darlington had sat empty for five (or more) years, used only occasionally by relatives when visiting the area.
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| The barn one month later. Work has begun. Note absence of chimney on right hand side of the roof . . . |
During their ownership of Darlington, the Proctors, people of means who appreciated the historic significance of the house and property, took good care of it. However, by the time we bought it from them little had been done to the house or grounds since the 1970s, other than putting up an occasional coat of paint and regularly mowing the lawns. Darlington had become a sleeping, overgrown beauty, drifting into decay . . .
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| The barn's west elevation. The three windows' sashes have been removed for restoration and reglazing. The ghost of the roof of a lean-to that once adjoined this facade can be seen sloping down from the right. We are going to open the boarded-up window on the first floor and replace the sliding door to its right with a matching window that will restore the facade's original two-over-two symmetrical window placement |
Our first priority was to focus on the main house, which required major and extensive restoration, and also a complete updating of all of its systems. As the urgency of those repairs subsided, we turned our sights to the other buildings on the property. Our next project was a ground-up restoration of the carriage barn, which we have repurposed as a gardening barn, filling it with tools and rakes and enough Guy Wolff clay pots to keep a nursery happy for years. We have also done a substantial amount of restoration to Darlington's work house and hope to have it completed later this year when the fellow who has done the work on it so far frees up from other commitments.
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| Our restored carriage barn. We plan on using the same green paint color on the windows and doors of the large barn |
More recently we have turned our attention to what we call the "large barn" at Darlington. It was built in around 1840 as a working barn and originally held the property's farm machinery and equipment, along with the livestock that was used in managing the 165 acres that Darlington once encompassed. Today it is where we keep our cars, large clay pots in the winter, stacks of firewood, and our refuse and recycling containers. In other words, it functions as a large modern-day garage.
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| The south facade of the barn. We are removing the unfortunate 1960s garage door and the inappropriate horizontal window, along with the small sliding door on the right. The rusty tin roof, which dates from the late-nineteenth century, is in good shape, and will be scraped and painted |
When we bought Darlington the large barn was packed to the rafters with seventy years' of the Procters' accumulated stuff (they were great pack rats) and infested with insect damage. A lean-to addition had been cobbled onto it in the 1940s, and the building's Greek Revival integrity had been further undignified by the addition of inappropriate windows and an ugly 1960s-era garage door. Although we quickly eliminated the lean-to, it took us until last year finally to bite the bullet and begin working on the barn in earnest. (When I write "we" here I must clarify that it is not Boy and I who are the ones actually doing the work to the barn. No, we are fortunate to have others who are skillfully doing it on our behalf under the careful supervision of Isaiah Cornini, the consultant we have been working with ever since we bought Darlington. Mr. Cornini advises us and designs and manages all of the restoration projects we do on the property.)
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| Another view of the barn, showing both the south and east elevations. We are going to paint the siding and cornice in a period-appropriate mustard/ochre color; sashes and doors will be painted the green used on the carriage barn |
So why did we wait so long to tackle the large barn's restoration, you might ask, Dear Reader? There were several reasons. First, the financial crash of 2008 happened, which put the brakes on my interest in taking on such a large project, and second, it took us for ever to decide that we didn't need to do as thorough (and expensive) a restoration to the barn as we have done to the other buildings on the property. Rather, we decided that it was sufficient (and less financially punishing) to do a careful and thoughtful shoring up of the structure, replace its later, less-than-successful remuddlings, and update the building's systems for modern-day requirements. When we are finished we will have returned the barn to a close approximation of what it looked like when it was originally built almost 180 years ago.
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| Another view of the barn's east facade. We have already removed an unsightly cinder-block chimney that was added in the 1940s. The boarded-up windows on the second storey are false ones, added for symmetry when the barn was built. We will replace the later horizontal windows with sash windows, restoring the facade's original two-over-two window symmetry, similar to the building's west facade |
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| A later view of the barn's east facade showing the restoration of the cornice underway where the cinder-block chimney once interrupted it |
Won't you please join me in my journey?
All photographs by Reggie Darling
